The IDF have issued a documentary NAZA The Real Story https://nazadocumentary.com/ countering all the misinformation in the Guardian's film which is full of lies, misinformation and distortions
How did the film NAZA even got into the festival competition. The lineup was declared final on July 23; NAZA’s entry only materialized on August 24. A film that enters a month after the list was locked has not been selected normally. It has been inserted, without even a Clinton-esque explanation that it depends what the meaning of “final” is.
Was it orchestrated? Does it matter? Everyone in that artsy audience understood what was happening, which is why the claps and cheers went on strong long after they could plausibly mean anything about artistic merit of any film. They were clapping to make a point: to one another, to the cameras, to the media, and to us, as together they reveled in their genteel contempt for Israel.
In The Guardian’s anti-Zionist kangaroo court, both in their news content and their recent foray into filmmaking, Zionists are seen as their misfortune. Thus, the anti-Israel verdict is predetermined, and exculpatory evidence is never allowed to be presented.
